![]() ![]() "Mulholland Drive" is a movie along those lines, though its filmic palette is broader, its setting (Hollywood and the film industry) more portentous, and its themes plainer. That was just one puzzling development in a film whose plot was regularly described as a Möbius strip by reviewers. He then, without explanation, turns into the 20-something Balthazar Getty and is released from prison, and the movie goes off on a new story tangent. In that film, the 40-something Bill Pullman languishes in a locked prison cell. ![]() In this way, the film is similar to Lynch's "Lost Highway," his cinematic scud missile of 1997. Bits and pieces of plot dribble out characters appear and disappear the film takes an incomprehensible turn two-thirds of the way through and there seem to be three or four disparate story lines that have virtually nothing to do with one another. "Mulholland Drive," the latest feature from director David Lynch, is exhilarating - two hours and 25 minutes of macabre thrills, highly charged erotica and indelible images.
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